Style, Space and Meaning in the Large-Scale Landscape Paintings by Maruyama Ōkyo (1733-1795)
On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan
Nina’s research focuses on images of the public and media as public space in 1970s Japanese video.
Chen focuses on the artistic interactions between Japan and China during the Meiji period. She is also interested in tourist photography, export art, and art exhibitions of modern Japan.
Jeewon studies the history of Japanese and Korean art and architecture. Her research interests include modern Korean painting, the visual culture of Japanese imperialism, and urbanization in Korea under Japanese colonial rule.
Hae Yeun Kim
Hae Yeun studies the art of Japan and Korea. In particular, she is interested in the inter-cultural influences and developments between Japan and Korea during the pre-modern period.
Naomi studies modern Japanese art. She is particularly interested in postwar intersections of “avant-garde” and “tradition,” and artistic exchanges between Japan, the U.S., and France.
Collaboration and Competition: The Dynamics of Seventeenth-Century Chinese Paintings
Cathy studies the art and archaeology of the Five Dynasties and Song period China. She is particularly interested in the interactions between works in the tomb, religious, and secular environments.
Valerie studies medieval and early modern illustrated narratives with a focus on the intersection of gender and class, particularly in the case of female workers and itinerants.