- Suhyun ChoiDissertation
Styling Socialism: The Politics of Ornamentality and the Creation of Modern Socialist Visual Culture in North Korea, 1948–1967
- Philippe Depairon
Philippe examines the relationships between shifting socioeconomic conditions, the articulation of Japan as a nation, and landscape painting in the early modern period.
- On-Tsun FungDissertation
Ito Jakuchu as Obaku Zen Monk: Between Sekihoji and Kaihoji
- Yuri HandaDissertation
Lens Across Boundaries: Ogawa Kazumasa (1860-1929) and His Photographic Journey in Meiji Japan
- Meng-Hsuan LeeDissertation
Shop-House, Verandah-Arcade, Decorated Façade: An Excavation of Commercial Architecture in Japanese Colonial Taiwan
- Xiaoyang Ma
Xiaoyang's research focuses on the art of early Middle period China, with a particular emphasis on the workshop system for funerary art production, the construction of sacred spaces in North China, the rock-carving tradition in East Asia, and the cultural exchange between China and the Sassanian Empire.
- Walsh Millette
Walsh is interested in avenues of exchange between pre-modern China and Japan, especially as they touch on ideas of space, place, architecture, and the painting genre of jiehua.
- Mary Rzepczynski
Mary's research focuses on Qing dynasty architecture, examining the relationship between architectural spaces and their design, construction, and depictions. She is interested in the historic transmission of architectural practices and technology across East Asia, as well as the preservation of wooden architecture.
- Misaki SanuiDissertation
Object, Image, Echo: The Making of Hon'ami Koetsu's Tea Bowls and Their Aesthetic Legacy
- Yeongik SeoDissertation
Timeless Nostalgia: Hasegawa Tōhaku (1539–1610) and the Formation of Momoyama Aesthetics
- Kanako TajimaDissertation
Between Tokyo, California, and New York: Feminist Transnational Art Practice by Women Artists from Japan in the 1970s-1980s